The Hottest Ticket in Town, 1946 By Donald P. Lofe, Jr. President and Chief Transformation Officer and Churchill Fellow, Westminster CollegeDirector, International Churchill Societ...
The American novelist was, in fact, famous earlier and much better known than his British counterpart; his novel Richard Carvel (1899) sold around two million copies Later novels, The...
Much of the 1930s was devoted to travel and writing. Some of the former was for pleasure; Churchill had always relished travelling and enjoyed his time away from Britain. He spent many months on the continent – at expensive hotels, at the chateaux of friends and acquaintances, always with his easel and paints at hand Churchill used these long periods abroad, in the sunshine and among those who respected him, to recharge his batteries and restore his energy. His favourite holiday destination was the French Riviera, where he enjoyed the hospitality of wealthy American hostesses like Maxine Elliott and Consuelo Balsan, all of whom had genuine affection for Churchill and played host to him in their villas, providing him with much-needed relaxation. But Churchill could also earn money while travelling, too, supplementing the family’s meagre income by taking on paid lecture tours, writing books and popular newspaper articles (he had, after all, been one of the highest paid war correspondents in the world).
Churchill was a man of many interests. He took a keen interest in the development of both silent movies and ‘talking pictures’ and turned the dining room at Chartwell into a cinema room so that we could watch movies in the comfort of his own home. He often stayed up late into the night, particularly during the Second World War, relaxing from the tensions of the day. He particularly enjoyed the film ( in the US), Alexander Korda’s 1941 patriotic epic starring Laurence Olivier, as Nelson, and Vivien Leigh as Lady Hamilton. It’s said he watched it seventeen times!
Churchill didn’t only paint at Chartwell. His easel, brushes and paints accompanied him everywhere - while staying at homes of friends and family (at Hever Castle in Kent where he painted the colonnaded gardens, Breccles in Norfolk, the home of Clementine’s cousin where he painted the woods); on his holidays to the French Riviera (the Churchills rented a house in Cannes for six months in 1922); in Cairo (where he tackled painting the Pyramids), in Morocco, in America and Canada’s Rocky Mountains. Wherever he went, he took his painting paraphernalia. Churchill also painted at one of his favourite places, Blenheim Palace, where he was born and to which he regularly returned throughout his life. Churchill’s early skill with the brush can be seen in paintings completed at Mimizan in Les Landes, south of Bordeaux in France – an area protected from the Atlantic by massive sand dunes and pinewoods – where he stayed as the guest of his friend the Duke of Westminster who had a house there. Lavery, who later stayed at Mimizan with Churchill, painted the same scenes.
Churchill loved animals, large and small. He had always loved horses – he took part in the last great cavalry charge at Omdurman as a soldier, played polo and, in later life, owned brood mares and racehorses – but he also enjoyed having cats and dogs at his side – and sometimes even on his bed – while at Chartwell. Churchill surrounded himself with a veritable menagerie of animals, including sheep, goats, pigs, cattle, guinea pigs, hens, ducks, swans and goldfish and, of course, cats and dogs (notably two brown poodles, Rufus I and Rufus II). In 1926 during an economy drive – Chartwell and its staff were expensive to run - many of the animals were sold but he couldn’t bear to part with his prized Middle White pigs.
A collection of audio clips in which historian Sir David Cannadine looks at points of interest within the life of Sir Winston Churchill’s life which haven’t been frequently documented...
Before too long, rather than playing with his nephew’s watercolour paint-box, Churchill was tackling oil painting. On learning of Churchill’s experimentation and enthusiasm a near neighbour, Sir John Lavery, the renowned Anglo-Irish and official First World War artist, together with his talented artist wife Hazel, gave practical advice and help and encouraged this new hobby. Later in 1915, Churchill was often to be found working in Lavery’s studio in London, not far from the house Churchill and his brother Jack were sharing, with their families, on Cromwell Road. Churchill was to take his paints with him wherever he travelled – at home and abroad – throughout this life. Enthralled with his new hobby, he painted during the First World War while at the Western Front in early 1916 (as a Lieutenant-Colonel with the 6th Battalion Royal Scots Fusiliers), at ‘Plug Street’ (Ploegsteert) in Flanders. On his return from the First World War and during the 1920s, even when embroiled again in political life, Churchill continued to paint. In fact, painting intensified as a pleasure and it was at this time that he wrote two articles about it, praising the enormous rewards to be gained from painting as a pastime.
A few weeks before his eighth birthday, in 1882, Churchill – like many other children of his class and background – was sent away to boarding school. It was at his second school in Brighton (after two unhappy years at St George’s, Ascot where ‘floggings’ were common) that he learnt things that interested him; not just French and history, but riding a horse and swimming. Both riding and swimming were to feature heavily in his life. At Harrow he represented his house at swimming competitions, but it was at fencing that he excelled. In 1889, Churchill wrote to his ‘Darling Mummy’ asking her to allow him to take up fencing. Churchill went on to become an accomplished fencer and even became Public Schools Fencing Champion in 1892.
Typically adventurous, Churchill learnt to fly in 1913 when he was First Lord of the Admiralty, only ten years after the first aeroplane flight. At the time, the Royal Navy only had about a dozen aircraft and accidents were common. Planes weren’t very substantial; many of them couldn’t carry heavy loads, with some barely able to lift the pilot, never mind a co-pilot. Their engines were unreliable and even a modest wind could impede a flight. Flying these fragile planes required considerable skill as well as a great deal of luck.
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